Back at work on the Mosaic for the bath surround

I got another panel up today but I thought I’d also talk a little about the process.

I had a friend ask me about laying it out and I realized there are several ways.  This is what I recommend:  

Get paper as big as you can- butcher or kraft paper is ideal but if you have newprint or something, you can tape pieces together to cover your space to be mosaic’d.

Next, draw your design right onto it while it’s on the wall (if you can.) Take down the paper in sections- that is, if you are working on a really big space as I am for the bath surround, and my table is 32” wide, I have been cutting my design into strips around that wide. Note how I am choosing natural borders along which to break up my design.

 in-the-midst-of-putting-it-up-white-is-mastic

Then you can either designate a table and work on it in pieces that are the size of the table top

OR buy sheets of styrofoam insulation- the thick pink works best but it’s a bit costly or very thin plywood (so it doesn’t weigh a lot). The plywood tends to warp and arch.

One artist who advised me,  lays the whole thing out in sections on multiple styrofoam sheets and stacks them on top of eachother until she is ready to put the whole thing up on the wall.

After the broken tile is laid out, I hold it all together with clear shelf paper that I get at Menard’s (though you can buy special tape or use regular tape but that gets pricey). Then, as each section is done, I cut the mosaic into 12-18 inch square sections; again following natural lines and borders using an exacto blade. That is one good reason to put cardboard under the paper- so you don’t cut up your table top. If you use the styrofoam, it is great for absorbing the cuts.

laid-out-mosaic-cut-into-liftable-sections

I apply mastic (that’s the adhesive- you buy in buckets) to the wall and lift the sections of mosaic and push them onto the sticky wall. This process is A LOT easier with two people, one holding up the section of mosaic and the other guiding it into place and pressing it into the mastic. But it can be done alone as I have been finding out. You can even use your feet as I do at the very bottom.

I suggest starting with smaller sections until you see the problems inherent.

Start at the bottom and leave yourself some wiggle room as the mosaic tends to expand and also to distort as it stretches and sags a small amount.

Because of this I also advise applying the mastic a bit past your edges when you can. It is easy enough to take a little putty knife and clean off excess after the tiles are up but much harder to lift all the tiles up that don’t have mastic under them and try to get some under there.mastic-detail

* Note: If your work space is a ways from your mosaic site, and you don’t have the insulation boards, you can slide/lift  your sections  onto various boards and trays, even layers of newspaper and moved them there.

You’ll note I often have strips of masking tape. Sometimes I make a spiral or something and I want it to really stay together;  perhaps I don’t have time to lay out the filler/background right then. A quick strip of masking tape is a good way to keep the piece in place. It’s also a bit stickier than the shelf paper and the more matte and rough a tile’s surface is, the less it sticks to shelf paper. Conversely, shiny, smooth tile sticks almost too much.

Here is the newest section up  and with the tape removed.  section-put-up-and-tape-peeled-off

I won’t be teaching in August, but I hope to catch up with a couple of posts I missed during my  classes. I am also hoping to finish this mosaic!!

The Krasl Art Fair

The Krasl Art Fair

 

Wow.  That was something!

This time we rented a dodge caravan “stow-and-go” where the seats tuck into the floor leaving it flat. It was WONDERFUL!  We brought both the kids and they were on one side, one behind the other and then there was room for all the long pieces of our tent and display. I will say we really crammed that vehicle to the gills!dodge-caravan

Once again, the trip was in rain, but light rain and a much shorter trip and the skies cleared up in the end.

We got there mid-afternoon, checked in and set up. Let me say, load in is very easy – we had good access and the fair is very very organized.

We were utterly delighted with our site as we had an unobstructed view of one of my favorite things in the world: LAKE MICHIGAN. We had a lovely cooling breeze off the lake both days.our-site-sans-tent

This was the first time with our brand new tent and because we had practiced in our garden, it went pretty smoothly. It took us about 2 hours to get the tent and all the shelves up.

Both kids helped. everyone-helps-outOf course I didn’t set out the pottery – that would go up the next day- I asked another potter setting up and she didn’t either.

I went to the artist reception- good food. There was a fair amount of good, FREE food for this fair, again making it a really easy fair to be in.

Saturday morning as I lay in bed, I heard thunder and thought, “OH, NOoooo!” But as we drove back to St. Joseph, the light rain stopped and the skies cleared. It was a beautiful day!

We arrived and I put out all the pottery, unzipped the tent and was open for business. It took just over an hour.booth-shot

I was awfully tired; I had slept really badly the night before and I had a head cold so I was feeling pretty sorry for myself until I heard a baby crying nearby and looked across at a booth nearby and saw a younger couple setting up with a baby in a stroller and she had a cast on one leg!  There is always someone else who has it harder than you. On talking to her, I learned she has THREE children under 8!!

Still, I was sitting too much and sales were slow until the artist next door came over and gave me a pep talk and some tips and really energized me.

I tried to do everything she told me and things improved from there on.

I also realized many many, many of the patrons walk the entire length of the fair (216 artists this year!!) before they buy a single thing. One woman told me she would come back on Sunday.

Now that’s stamina! Because, let me tell you, after it got started, it was just a steady wide stream of unending humanity going past the booth.propping-the-bowl

Most people were lovely. Even if they didn’t buy, they were complimentary.

The only annoying experience I had was a woman who was going to buy two mugs and when I told her 70 + tax she was shocked. She thought they were 5$ apiece!  That was certainly one of the themes of discussion among artists.  So often, people have no idea nor appreciation of the amount of time we put into our work. All the mass production, like at Pottery Barn, Ikea, etc. make people balk at paying the little that we do charge.

One the other hand, I had a couple of WONDERFUL customers who made the entire fair worthwhile. One of my students drove all the way from Chicago to see me and I was so flattered and happy to see her!

Another couple came in just loving my work, making me feel special and bought up my nicest things without batting an eye. They were from Chicago too and even invited me to their house. They also had a wicked sense of humor and there was much laughing and wittiness in my booth at the end of the day I can tell you!

For the night, we took all the pottery off the shelves and stacked it back in the bins, zipped down the sides and changed into our bathing suits.

At the beach I staggered into the water and just floated there until I got too cold. It was SO great to not be on my feet! We ate at the beach and watched the sunset. It was WONDERFUL.sunset-day-1

In the morning, better rested, the pots went out again in roughly 45 minutes.

The baby across the way was in a better mood, baby-in-the-boothAll the artists were spiffed up and it was a gorgeous day. Sales were less but a little more steady.

I took some time in the morning to look around the fair- here are some artists that caught my attention:

First of all Dragon clay was there again and I got to meet him. He was so nice and answered all my questions.  I’m still not over his work- so exquisite!

I also kept revisiting Weaver Tile (www.weavertile.com) lovely people, fellow Morel Mushroom hunters and eaters!

Gene T. Brown whose work we’ve bought in the past at the Port Clinton Art Fair;  great little paintings usually involving animals. Lots of lovely solid colors and simple shapes and images. He told me he is easing into writing children’s books and illustrating them. I wish him luck!

I was also quite taken with Terrel Powell’s paintings which were large “naive” or perhaps I should just say whimsical paintings of birds and other animals in bright bold colors. (Sadly, he has no web site)

A couple from Argentina came up here to do art fairs for 2 months.  Their work is really cool. www.artejuela.com.ar   I was quite drawn to their work- it looks a bit mosaic-y and a bit early 60’s hip to me. Intricate and jewel-like.

Greg Jordan-  jewelery I was crazy about but didn’t allow myself the splurge  JordanFineArtJewelry.com  My favorite is a blue “egg” in a cage and house earrings.

My daughter was quite taken with David Conroy’s work; someone who obviously spent way too much time in the tool shed as a kid- all his jewelry is made from nails and hardware- and it doesn’t look it! (also no web site)

 Last, but certainly not least, was my guardian angel (best) neighbor (ever) Judy Zeddies who clearly, wanted me to get off my butt so she could draw my chair.Really cool prints although a little “dark” (just kidding! Inside joke!)…………Check out the etchings.

 Everyone around us was delightful. Warm, friendly and helpful. One artist gave the kids a coloring book of her work and another came looking for my son to show him the Cecropia moth she had found at the beach. Luckily, I knew all about them from my childhood hobby and even more luckily, there was a black walnut tree RIGHT behind us that the moth could lay her egss on! Then my son was called upon to extract an inchworm from another nearby tent. He was in bug-heaven.

tent-sitter

Finally, it was time to pack up. The rushing river of people dwindled to a trickle and we all started to take down art, displays and tents. It took us about 2 hours, I think the hardest was fitting it all back into the van! and I  had one less bin!
must.fit.it.all.in!I can’t believe how hard people work. Remember, they all spend the weekdays MAKING the work and then on the weekends trek to art fairs, set up, sell all day and take it all down again. One woman in the artists hospitality area had 2 kids both under 11 and said they do THIRTY shows a year!  Another couple had a double tent and were still packing up long after we had packed up and were done with dinner but they didn’t even need to speak to eachother to coordinate the taking down of the tent. They had a routine.

We had to go to the beach to empty our sandbag tent weights so we stayed for one last sunset (sigh)

sunset-day-2And headed home arriving at 11 and THEN unloading the van again. How do people do it?

All in all a really positive experience and a good fair.