Remember how, in my last blog entry, I mentioned a store in Hasting, Mn that carried Mata Ortiz pottery?
Well, I am very pleased to say that for my birthday, I received no less than three gorgeous pieces (bought from Mississippi Clayworks) from that little town that lies in Mexico just south of Arizona and New Mexico.
I am so thrilled with these amazing pots that I wanted to write just a little more about Mata Ortiz (what little I know) and to post photos of these amazing pots. I first heard of Juan Quezada when I encountered a children’s book “Juan Quezada” by Shelley Dale. After that I made a specific effort to see a short term exhibit at the Chicago Field Museum and I was stunned. These were incredible pots with intricate decorations. They sold a few small ones in the gift shop but they were beyond my means.
Here is my new personal collection!
This first pot is a small seed pot. the opening is small so that one could seal it agains mice with just a nice flat stone. It is approximately 2.5″hx 4.5″w
This was made by Alina Mora- possibly you can see the amazing intricacy of the the brushwork. 
This one is made of “white” clay so that is the underlying color.
Also she put a bird on the underside! This is something I like to do too!
A few years ago, I took a workshop from Michael Wisner at Lill Street. He has worked with many of the indigenous potters in the southwest including one of my idols (now deceased) Maria Martinez. He was able to answer some questions- one of which was about the brushes that Juan Quezada uses- Juan found that the hair of children is softest and used some from his grandaughter. Mike told a story about going to her and she just matter-of-fact-ly held up her hair so they could take some from the nape of her neck under her hair where it wouldn’t show!
So I imagine the brush that painted these teeny lines was made of child’s hair.
This is a less traditionally functional pot although the shape is not uncommon.
It is around 6.5″h x 5″ w Lourdes Nuñez is the potter who made it.
This pot was given to me by my mother. These patterns are all hand painted with such a steady hand!
Inspiration for these patterns come from the ceramics Juan found in while gathering firewood in the 30’s and poking around as a young man. These shards and pots were made by the ancient cultures that lived near Mata Ortiz. One group was the Paquime indians who lived in the area from the 1200’s to the 1500’s.
Juan’s interest led him to experiment with clays and soils and minerals that he dug up. He figured if they would make those pots here, so could he. With no knowledge of clay processing or pottery making techniques, he taught himself how to make similar pots. Then he taught anyone in his town who wanted to learn. Now there are no less than 30 accomplished potters in Mata Ortiz and this has completely reversed the severe economic downturn they were experiencing. This is a great short video about it.
Lastly, I admit, this pot by Daniel Gonzalez captivated me immediately as I pressed my face against the glass of the window of the closed store. It’s big too! Roughly 12.5″hx 11″w.
This pot, in person, spectacular! It is large, extremely light and the pattern of the snakes is amazing! 
I love how they are “see through” 
and the way they curl and move around the curves of the pot, emphasizing and enhancing its voluptous curves.
All the pots have round bottoms and came with little padded rings to sit on. If you get a chance, try to experience these pots in person!
It is most likely giant kelp which grows several inches per day!
You’ll also note that I’ve taken pains to make my carving marks as watery and curvy and flowing as the kelp.
