Top Ten Things to Remember When Throwing

Once again I have the pleasure of teaching First Time Potter and it is always exciting to see people introduced to the joys and frustrations of throwing.

First of all let me say, my class ROCKS!  Take a look at these pots from the first class!  I am so proud!Aren’t they awesome?

Then, because I’ve posted before for FTP, I thought I’d do something slightly different  – as I try to tell my students everything they need to know to make pottery, I realize there is simply too much information to absorb in the time allotted. And not only do they have to learn about the properties of clay, and the steps involved in throwing but also have to learn the systems at the studio. When to put what where! Each stage has a different location and system.

Since it is easy to become overwhelmed, I thought I would write up a list of

The Top Ten Things to Remember When Throwing

(for beginning students)

something like the Cliff Notes™ you would read when cramming for a test

If the test was making a pot that didn’t careen wildly around, laugh at you and collapse.

Really, I should have had the class vote on these but we don’t have the time! Maybe later they can tell me what was the most helpful.

So as a teaching tool and reminder, here is my ultra-subjective

Top Ten Things to Remember When Throwing

  • 1. When centering, brace your arms- preferably your elbow against your hip; make your left forearm an “immovable force” (kind of like I’d hoped to parent my teen but failed.)
  • 2 .Don’t forget that whenever the clay feels “sticky” to use a little more water! You can end up ripping half your clay off the hump and wondering what you did wrong.
  • 3. Remove all the lumpy clay that is at the bottom against the wheel head. You won’t be able to center if your hand is bumping over that. BUT keep the bare wheel-head clean or you will sand off your skin.  And.  Bleed.
  • 4 . After you open the clay, slow down! You will be unable to control the clay when it’s going too fast. (again the teen analogy springs to mind)
  • 5. When you open, you set up your future pot- wide base or narrow base, flat floor inside for a cylinder or curved bottom for a bowl. DECIDE NOW.
  • 6. Always always always triangulate! Brace your arms, connect your hands! If they are just floating out there you can knock your pot off center.
  • 7. When you do a pull, make sure your fingers are directly across from each other. The entire pot should pass through that little space between your fingertips. It’s a zen thing. And try to throw from your wrists, not your shoulders (I know, this should be a separate tip- just count it as a bonus and be grateful, okay?)
  • 8. Go on and off the clay in slooow motion. If you remove your hands abruptly, it will throw the pot off. You are Isadora Duncan but without the scarf- because you know what happens with scarves and wheels.
  • 9. You can use a rib to compress the sides and remove some moisture. This could extend your throwing time. (If you use a metal rib, it could extend your time in the ER getting stitches. Remember, the clay wants to take your tools from you and hurt you with them.)
  • 10. When wiring off the pot, stretch the wire very tightly and push down against the wheel head. The wire’s inclination is to rise up as it encounters resistance; (TEEN!)    if it does this, it can cut a hole in the bottom of your pot. Then you have a flower pot. Every Time.

Okay !  So I hope these are helpful and I look forward to my next class!

Various Projects

Apologies as I’ve neglected my blog for some time now.

I thought I would just post some pictures of the various things I’ve been up to.

I am currently very busy teaching but also trying to prepare for as many as FOUR art fairs!

That is my first and most exciting news: I’ve been accepted into the  following fairs:

The 57th Street Art Fair June  5 & 6

Krasl on the Bluff in St. Joseph Michigan July 10 & 11

The Kohler in Sheboygan Wisconsin July 17 & 18 and

The Powderhorn Park Art Fair in Minneapolis August 7 & 8  !

Also I am lucky enough to be working again with the 6th graders at Murphy School to finish our Mosaic Time Line. This year we are doing: Feudal Japan, the Renaissance and the Age of Exploration.and  for the Age of Exploration a globe with a ship sailing on it.

Whenever I get any chunk of time, I am making work for the fairs.  I am excited about the images I’ve recently carved on some  salad plates and casseroles.(I’m so mad I cropped off the bottom of the plate when I was shooting!)

Here’s another plate- this shape was inspired by a great plate I bought from Bob Briscoe

and casseroles!

side view :

and I want to do more of these!  Perspective

from aboveLastly,  I am currently in a faculty show at Lill Street. It opened May 1.

This is one of my Kelp Vases and it was Soda Fired which was just the right treatment for that surface.

Stop by and see it in person as well as all the other amazing work by my colleagues at Lill!