Terra Cotta “Fossil” Paver Tutorial

These “Fossil Pavers” are so named because you are inlaying the lighter clay into the larger Terra Cotta paver body. This is a fun and useful project for all ages and can be a lasting decoration for your garden or house (provided you have access to a kiln!)

9 finished paver

I taught this class a few years ago at Lill Street and again recently at the Northern Clay Center.

At Lill we did it as a family workshop and what is great about this project is children as young as 3 or 4 can help lay out the design. You’ll need something round to trace- about 12″ across.

We used 2 kinds of clay. Continental Clay’s Terra Cotta will fire nicely to Cone 1 which is what we did so that the pavers would be essentially non-porous for wintering outside and also extremely dense for the strength needed to be able to step on the pavers.

2 laying out the paver design

Start with your light colored clay (porcelain, light stoneware or raku clay) and make your design. Make it as fine as possible as it will spread out when you flatten the terra cotta over it. When rolling coils, if they are drying and consequently cracking, roll them on a little patch of dampened table- a canvas covered table is ideal. If you are cutting out leaf shapes, make the clay as thin as you reasonably can- that means less than 3/16th of an inch! More like an 8th of an inch or less. The reason for this is so that your paver won’t be lumpy and the white clay not fully integrated into the surface of the paver. These leaves are a little too thick and caused a bit of trouble getting them to fully integrate.2 paver design

Lay out your design on a piece of board or paper! We found it helpful to draw the pattern on a piece of paper and to trace our circles so that we knew the boundaries of the paver and could lay out the design well within it.2a laying out design

***IMPORTANT NOTE!*** Words must be laid out in mirror writing. This may seem really hard but you can lay out the word and then simply flip it over. You can see we have the world “Welcome” backwards here.2b writing backwards

Also important to keep your white clay pattern moist- spritz it before you set it aside and again before you put the terra cotta over it. Make sure it does NOT sit in water! That will make it too soft and it will smear.

And before you throw a slab and shake the table, MOVE your layout! Several layouts were shaken to bits before we caught on!

Next, throw a thick terra cotta slab and then roll it to about a ½ inch thickness. You can do this using two half-inch thick boards on either side of your slab. You will need a long rolling pin though! We needed about 7-8 lbs of clay to make a 12 “ circle.

4 tc slab

Before your lay your finished and smoothed terra cotta slab over your design, wipe the surface with a sponge and spritz your design.

5 dampening slab
Then starting at one edge, lay your slab carefully down over your design and using the flat of your hand pat/smack it down firmly over your design. You can also go over it gently, firmly and evenly with the rolling pin. It’s okay if it gets thinner than ½ an inch- but not too much!

It is important to lay the slab over the design instead of vice versa to give you a very uniform flat surface where the clay pushes down to the level of the light clay’s design.

Now you can flip it over by sandwiching it between 2 boards or simply picking it up and flipping it over.6 before cutting circle

If your design is still sticking up, you can gently go over it from the front with a rolling pin too.8 rolling front

After that, lay your circle pattern over the slab, covering your design and cut around it. 7 tracing circle Go over the edge with an dampened sponge to soften the corner and get rid of sharp chip-able edges.

Let dry thoroughly and fire to Cone 1!1 picture fern paverHere is my fired fern paver example from Lill. I was working very fast to make the example as I had young kids waiting to work! I’ve had it for years now, left outside in the winter many times and it’s still intact!

 

FAUX BOIS

This is just a quick tutorial on how to make a “Faux Bois”  (fake wood) texture on a slab.

It is my impression that Faux Bois is all the rage and if Martha Stewart has Faux Bois wrapping paper, clearly, to be able to make a dish or box using it, it’s a GOOD THING™

It is also a good thing to do all the steps and do them in the right order.

Start with a slab that is about 1 inch thick.1 slab

Paint some slip on there or even underglaze in a fairly thick coat. I’m using chartreuse to make it particularly hard to see in my photos.

2- chartreuse slip painted on

Take sheets of newspaper to “dry” the slip. Just lay the newspaper on there and watch as the moisture begins to show through the paper.  When you pull up the first sheet, you may end up pulling off some of the slip-

4 some slip comes up

just set that piece aside and keep drying with successive pieces of newspaper until there is no moisture being absorbed by the paper.

3- drying the slip

Here, I’m rubbing the paper down to aid in the moisture absorption.

At this point, if you wish, you can try to re-apply the peeled up slip. If you can get it to stick down to your now dryish surface, you may have to dry off the new bits with one more sheet of newspaper.

You are wondering why we need to “dry” the slip?  We are going to stretch the slab under it. If the slip is wet, it will just stretch nicely with the slab and we won’t get any of the cool effects we’re trying for.

When your surface is not tacky or shiny, take a sharp tool like a needle tool and draw in the wood pattern. Basically you draw a few knotholes and then draw vertical lines that bend around them when they encounter the curve of the knothole.  Take a look at some wood grains or Faux Bois wrapping paper  for reference.

5 drawing the faux bois

Don’t go too deep! You only want to pierce that dried slip  layer. Also, draw it smaller and closer together because this pattern is going to

e  x  p  a  n  d  .

6 wood pattern

Next, begin to throw out a slab. This is a little tricky as you shouldn’t hold the slab on top and you can’t flip it over, you have to throw it with the slip side facing up the whole time.- my action shot of this did not turn out.

As it stretches, the faux bois pattern will become spread out and more proportionate.7 all stretched out

I’ve found that if it has really sharp edges, once it is all the way thrown out, you can go over it gently with a rolling pin but I would avoid that if you can.

Then you can let it harden to leather hard and build something with it like a box, or you can drop it into a mold and make a dish.8 dropped in a mold

Obviously you are going to need a transparent type glaze on it like clear or a celadone or even a shino depending on how dark your slip or underglaze is.

Have fun!