Back at work on the Mosaic for the bath surround

I got another panel up today but I thought I’d also talk a little about the process.

I had a friend ask me about laying it out and I realized there are several ways.  This is what I recommend:  

Get paper as big as you can- butcher or kraft paper is ideal but if you have newprint or something, you can tape pieces together to cover your space to be mosaic’d.

Next, draw your design right onto it while it’s on the wall (if you can.) Take down the paper in sections- that is, if you are working on a really big space as I am for the bath surround, and my table is 32” wide, I have been cutting my design into strips around that wide. Note how I am choosing natural borders along which to break up my design.

 in-the-midst-of-putting-it-up-white-is-mastic

Then you can either designate a table and work on it in pieces that are the size of the table top

OR buy sheets of styrofoam insulation- the thick pink works best but it’s a bit costly or very thin plywood (so it doesn’t weigh a lot). The plywood tends to warp and arch.

One artist who advised me,  lays the whole thing out in sections on multiple styrofoam sheets and stacks them on top of eachother until she is ready to put the whole thing up on the wall.

After the broken tile is laid out, I hold it all together with clear shelf paper that I get at Menard’s (though you can buy special tape or use regular tape but that gets pricey). Then, as each section is done, I cut the mosaic into 12-18 inch square sections; again following natural lines and borders using an exacto blade. That is one good reason to put cardboard under the paper- so you don’t cut up your table top. If you use the styrofoam, it is great for absorbing the cuts.

laid-out-mosaic-cut-into-liftable-sections

I apply mastic (that’s the adhesive- you buy in buckets) to the wall and lift the sections of mosaic and push them onto the sticky wall. This process is A LOT easier with two people, one holding up the section of mosaic and the other guiding it into place and pressing it into the mastic. But it can be done alone as I have been finding out. You can even use your feet as I do at the very bottom.

I suggest starting with smaller sections until you see the problems inherent.

Start at the bottom and leave yourself some wiggle room as the mosaic tends to expand and also to distort as it stretches and sags a small amount.

Because of this I also advise applying the mastic a bit past your edges when you can. It is easy enough to take a little putty knife and clean off excess after the tiles are up but much harder to lift all the tiles up that don’t have mastic under them and try to get some under there.mastic-detail

* Note: If your work space is a ways from your mosaic site, and you don’t have the insulation boards, you can slide/lift  your sections  onto various boards and trays, even layers of newspaper and moved them there.

You’ll note I often have strips of masking tape. Sometimes I make a spiral or something and I want it to really stay together;  perhaps I don’t have time to lay out the filler/background right then. A quick strip of masking tape is a good way to keep the piece in place. It’s also a bit stickier than the shelf paper and the more matte and rough a tile’s surface is, the less it sticks to shelf paper. Conversely, shiny, smooth tile sticks almost too much.

Here is the newest section up  and with the tape removed.  section-put-up-and-tape-peeled-off

I won’t be teaching in August, but I hope to catch up with a couple of posts I missed during my  classes. I am also hoping to finish this mosaic!!

Murphy Mosaic Finished

I am so pleased with the final result of the TimeLine Mosaic that I worked on again this year with the Sixth Graders at Murphy school.students-applying-mastic

 

 

 

 

 

students-laying-out-the-pieces2-students-removing-adhesive

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We had started it last year and this year we added 3 more symbols of various Ancient Cultures.

It was really wonderful to attend the Fine Arts Festival at Murphy school and to officially inaugurate the Mosaic Time Line

student-adding-the-tiles-to-make-the-timeline

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We cut the ribbon
cutting-the-ribbon

 

 

 

 

 

the-teaching-artist-caught-in-time

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

and then everyone viewed the symbols of ancient cultures. 

touring-the-timeline

The timeline starts with  A Cave painting of a horse from Lascaux, France. 14,000 BCEview-of-most-of-the-timeline

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Next (my favorite) Anubis, Egyptian God of the Dead. 3000 BCE .  I combined the Chinese Bagua, which was discovered in 2,800 BCE by FuXi on the back of a tortoise, with dragons which are a symbol of the emperor.  For Ancient Greece, I chose a Greek pot from 600 BCE depicting Athena’s owl, and Murphy’s mascot.

 

This year we added an  Archer from a frieze on the wall of  Darius the Great’s Palace, Persia, 510 BCE  archer-from-darius-the-greats-palace-ungrouted

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I wanted to make sure North America was represented by thisarcher-and-olmec-head

 

 

 

 

 

 

 

 

 

 

 

 

 

Giant stone head created by the Olmecs in the area near what is now Veracruz, Mexico . The Olmecs came into dominance from 1200 to 400 BC 

The arched windows lent themselves beautifully to a depiction of the Rome’s best engineering feat;  an Aqueduct from 100 BCE roman-aquaduct

 

finally it ends on the landing with an Illuminated Manuscript Europe  representing the Middle Ages in Europe.  Monks hand-copied books; decorating pages and words with plants, animals and scenes from the text.illuminated-manuscript-after-grouting

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Here are some other photos- some taken before grouting so you can compare and some  details of the mosaics

illuminated-manuscript-before-groutingilluminated-text-mosaic-in-progressdetail-of-manuscript-murphy-owllaid out: archerdetail-aquaduct