Slip ‘n’Surfaces, Week 1

 

Hi everyone! Welcome to Slip’n’surfaces; a four week class on surface decoration.

Since I believe that surface decoration must enhance form and form should enhance the surface decoration – in short they must work together and compliment eachother, I decided I wanted to address a couple of key areas of functional pots. I  decided to do: 

Foot-of -the -week

Lip-of-the-week 

and also a Glaze-of-the-week    

as I have fielded a lot of questions about what glazes look good over and show off various surface decorations.

For my first demonstration I did again, the Eric Jensen Method of throwing out a slab. This is show in my blog entry Handbuilding week 1.

I brought in “sketches”  which are examples of work I did in 1997. I have an ancient web page with photos of the large work on it- to see them, click here.

The Lip-of-the-week was a simply rolled over lip – I don’t have a picture but in handbuilding or throwing you can take a thin lip and roll it over to give an extra thickness and a nice curve to the rim without adding weight to the pot.

The Foot-of -the -week was 3 “pods” – added feet to give some stability and height to an otherwise round bottomed drop dish.mayan-pot-ad-500-pinchpot-tripod-legs-animal-headThis tiny  Mayan pot shows the basic idea.

Glaze-of-the-week was actually  my favorite two glazes for over delicately carved slip and that was Shaner Clear and  Shino water.

 

Shaner Clear:

For porcelain* I give the pot a good wiping with a  very wet clean sponge so that it soaks up less glaze. I use a sponge so I have more control as to where the water goes (as opposed to just holding it under a faucet) I don’t want to soak a thin rim or it won’t have the ability to absorb any glaze.

Shaner Clear is a very forgiving glaze. Drips, dabs, patches all disappear and smooth out in the firing.

(all the rest of the photos on this blog entry are pots made by me)

Shaner clear thin over black slip
Shaner clear thin over black slip

The reason I thin it is that if it is on too thick it looks milky and makes the slips lighter in color- for example the black looks more like a blue-gray.

*Porcelain tends to absorb glaze more quickly and therefore more glaze than stoneware.

I prefer the shino water instead of Shaner clear over stoneware as clear leaves the stoneware a kind of dead-looking gray. Below you see that gray only in the lines cut through the white slip down to the stoneware underneath. It’s the only photo I could find with clear over stoneware as I dislike it so much.

small-birch-tray-clear-glaze

Shino Water:

 

Shino water often turns bare stoneware orange. The water leaves no thicker coating and so the texture of slip carving is highly visible. 

okay, right now I can’t find a photo of shino water over slip on stoneware but I have plenty of:

Shino over porcelain 

dsc00019Above is shino water over porcelain with black slip.

or porcelain slip  over stoneware can also go orange :stoneware drop plate with white layer of porcelain slip under black slip oak leaf -shino glazeThat is all for this week!

Murphy Mosaic Finished

I am so pleased with the final result of the TimeLine Mosaic that I worked on again this year with the Sixth Graders at Murphy school.students-applying-mastic

 

 

 

 

 

students-laying-out-the-pieces2-students-removing-adhesive

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We had started it last year and this year we added 3 more symbols of various Ancient Cultures.

It was really wonderful to attend the Fine Arts Festival at Murphy school and to officially inaugurate the Mosaic Time Line

student-adding-the-tiles-to-make-the-timeline

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We cut the ribbon
cutting-the-ribbon

 

 

 

 

 

the-teaching-artist-caught-in-time

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

and then everyone viewed the symbols of ancient cultures. 

touring-the-timeline

The timeline starts with  A Cave painting of a horse from Lascaux, France. 14,000 BCEview-of-most-of-the-timeline

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Next (my favorite) Anubis, Egyptian God of the Dead. 3000 BCE .  I combined the Chinese Bagua, which was discovered in 2,800 BCE by FuXi on the back of a tortoise, with dragons which are a symbol of the emperor.  For Ancient Greece, I chose a Greek pot from 600 BCE depicting Athena’s owl, and Murphy’s mascot.

 

This year we added an  Archer from a frieze on the wall of  Darius the Great’s Palace, Persia, 510 BCE  archer-from-darius-the-greats-palace-ungrouted

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I wanted to make sure North America was represented by thisarcher-and-olmec-head

 

 

 

 

 

 

 

 

 

 

 

 

 

Giant stone head created by the Olmecs in the area near what is now Veracruz, Mexico . The Olmecs came into dominance from 1200 to 400 BC 

The arched windows lent themselves beautifully to a depiction of the Rome’s best engineering feat;  an Aqueduct from 100 BCE roman-aquaduct

 

finally it ends on the landing with an Illuminated Manuscript Europe  representing the Middle Ages in Europe.  Monks hand-copied books; decorating pages and words with plants, animals and scenes from the text.illuminated-manuscript-after-grouting

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Here are some other photos- some taken before grouting so you can compare and some  details of the mosaics

illuminated-manuscript-before-groutingilluminated-text-mosaic-in-progressdetail-of-manuscript-murphy-owllaid out: archerdetail-aquaduct